How to Upload Presets to Peavey Vip

Peavey Vypyr Amp Presets Part One

No ii amps nor whatsoever ii guitars are going to audio the aforementioned, so common sense says these may need to be tweaked - but if you are new to this, these amp settings do requite yous a good place to get-go out on.

BLUES ........ On a Peavey Vypyr amp

preset A1, clean mode, Amp model palatial, brit or pexi effect bypass, pregain 3 o'clock, bass 5 o'clock, mid 12 o'clock, high 5 o'clock, post proceeds full - complied past 3rd STONE

SLASH ......... MARSHALL JCM 2555

presence 7, output master 6, lead chief x, mid four.five, imput gain half-dozen.5, treble vii, bass 7, on a Les Paul guitar -

Arrangement OF A Downward ........ ON a line six spider amp

ch insane, drive 7 - 8, bass ten, mid two, treble 6 - 7, ch vol 9 - x, reverb 0 - one

METALLICA ....... On a line 6 spider amp

ch metal, drive 10, bass 10, mid 0, treble seven, ch vol eight

CRAZY TRAIN ....... On a line 6 spider amp

ch insane, bulldoze 6.5, bass 10, mid 10, treble six, reverb 2 - three

SMELLS LIKE TEEN SPIRIT on a line 6 spider amp

ch crunch, drive 3, bass 5, mid 3, treble vii, reverb 0

PUNK SETTING on a Marshall MG amp

drive 8, treble six, mid seven.5, bass four.5, presence 10

EVH ....... on a Fender gnaw dsp 30 amp

treble 6, mid 7, bass 5, proceeds 5, rat pedal ready at distortion 3 - iv, filter 7 - viii, vol max

TIGHT METAL RHYTHM Mesa Boogie F-xxx combo ch 2, with contour

Gain 3 o'clock, trebel 3;00, mid 10;00, bass 8;00, reverb off, principal 8;00 and upward - complied by Third STONE

SHARP DRESSED Homo ....... Marshall JCM 900 amp

ch A primary vol 2, gain high, reverb 2, presence ten, bass 10, mid 10, treble 3, ch B on, mode low, humbucker on a Les Paul guitar

HEAVY Metal SETTING

treble 9, mid 4, bass ten,

Boss metal zone set at high only nether 1, low max, mid just under 1, mid freg. baloney max, vol. set to abort level

BORN TO Exist WILD MARSHALL jcm 900 amp

ch B, master vol 2, lead proceeds 8, reverb 1.5, presence 4, bass 8, mid 9, treble 6, ch B on, mode low, utilize a Les Paul lead humbucker

Sex activity PISTOLS ....... On a Phonation ad30vt amp

proceeds 2/iii o clock vol max treble four/5 o clock mid 2/3 o clock bass ten o clock

AC/DC ....... BACK IN Black

bulldoze at 6, treble 5, mid half dozen, bass eight, reverb 3, overdrive on

BLACK SABBATH - PARANOID

DRIVE vii, treble 3, mid 6, bass 6, reverb iv, baloney on

TONI IOMMI

bass 6, treble 6, mid 6, gain vii/viii

Blink 182 - ALL THE Pocket-sized THINGS

bulldoze 5, treble 7, mid 4, bass 8, reverb 1, distortion on

DEEP Imperial - Fume ON THE H2o

drive 7, treble 3, mid 7, bass 9, reverb 3, with overdrive

DEEP Purple ....... Highway Star

bass viii, mid v, treble seven, gain 4

GUNS AND ROSES - SWEET CHILD OF MINE

bulldoze 10, treble 3, mid 5, bass 7, reverb three, with overdrive complied by Third STONE

JIMi HENDRIX - PURPLE Haze

drive 8, treble seven, mid nine, bass 6, reverb 3, with overdrive

JIMI HENDRIX

gain 4, treble 5, mid five, bass viii, reverb 5

JOE SATRIANI - SURFING WITH THE Conflicting

drive 7, treble vi, mid iii, bass 6, reverb 0, with distortion

LED ZEPPELIN - WHOLE LOTTA Dearest

drive vii, treble three, mid 6, bass 7, reverb 5, with overdrive

LED ZEPPELIN - VOX AMP

gain 7, treble 8, vol. max, mid half dozen, bass 4/v

LED ZEPPELIN - SPIDER AMP

amp model, either crunch, bass 8, mid iii, treble 9, drive x, reverb 3

JIMMY PAGE

proceeds 4, treble eight, mid iii, bass 7, reverb two

PEARL JAM

gain two treble 6 bass seven mid vii reverb 3

DEP LEPPARD Stone Of Ages

gain four treble 7 bass five mid 4 reverb 4

JEFF BECK Blow by Blow

gain 10 bass 6 mid 5 treble 7 reverb 4

BOSTON bass 3 mid 10 treble 5 gain v

DEEP Regal Highway Star

bass eight mid 5 treble seven gain 4

GREEN Twenty-four hour period

gain eight treble 6 mid 4/5 bass 8 reverb ii

SLIPNOT

treble viii mid 2/3 bass 8 gain max

SATCH

gain 7 vol three treble 6 mid 10 bass 6 reverb 1

THE SHADOWS

gain 2 treble half-dozen mid 9 bass 10 reverb 10

METALLICA

mid 0 bass loftier treble high

guitar tuned to drib C

Dominate Metal Zone Pedal prepare to

level viii/9 o clock mid 7 o clock treble four/five o clock distortion max bass 3/4 o clock

GRUNGE PEDAL SETTING FOR Kurt Cobain

loud nine o clock low iii o clock high 12 o clock grunge max

SANTANA

clean proceeds seven treble 10 mid half-dozen bass 5 reverb 2

DAVID GILMOUR

strat neck pickup clean tube amp gain 2/3 vol 10 treble 7/8 mid 9/10 bass 5/6 reverb threescore to 70% fuzz 100% employ fuzz pedal, big muff or rat phaser pedal forty% delay pedal 310ms

LED ZEPPLIN on a Voice ad30vt amp

proceeds 2 o clock treble 3 o clock vol max mid i o clcok bass 10/11 o clock reverb

GOOD TRASH Audio

drive 10 vol v bass 0 mid 0 treble 10 tone off on guitar use span pickup

CHILDREN OF BODOM

treble 9 mid 4 bass vii gain 8 reverb 4 guitar tone max use bridge pickup

BLUES TONE for a Vocalization ad30vt amp

treble 7 mid 6 bass 3 proceeds 10

PANTERA on a line 6 spider two amp

amp model green insane bass 7 mid ii treble eight drive 12 o clock add a chip of flanger reverb 4 add a racket gate

METALLICA

Gain ix, treble 10, mid two, bass 7, reverb iii

METALLICA - ENTER SANDMAN

drive 7, treble 8, mid 3, bass 3, reverb ii, assault clean

Metallica - black album - complied by THIRD Rock

Gain 9, bass viii, mid 1, treb 6, reverb 4

METALLICA - RIDE THE LIGHTNING Anthology

proceeds 7, bass vi, mid i, treb. 9 - 10

MUSE - PLUG IN BABY - complied by 3rd Stone

bulldoze ix, treble 8, mid seven, bass 3, reverb i, with distortion

NIRVANA - SMELLS Similar TEEN SPIRIT

drive half-dozen, treble seven, mid iv, bass 3, reverb 2, with overdrive complied by THIRD STONE

GRUNGE PEDAL SETTING FOR Kurt Cobain

loud ix o clock depression iii o clock loftier 12 o clock grunge max

PANTERA - COWBOYS FROM HELL

drive x, treble 10, mid 0, bass 5, reverb 0, with distortion

PANTERA ....... on a line vi spider 2 amp

amp model dark-green insane bass 7 mid 2 treble 8 - complied past THIRD Rock drive 12 o clock add a scrap of flanger reverb 4 add a noise gate

Ac/DC .......BACK IN BLACK

drive 6, treble 5, mid 6, bass viii, reverb iii, overdrive on complied by THIRD Stone

BUCKETHEAD

bass 5 - 6, mid 5 - 7, treble 7 - 8, presence vi use overdrive pedal tone 5 - 6, vol 5 - eight, no distortion

PINK FLOYD - Money

drive 5, treble 6, mid vii, bass 7, reverb 4, with distortion

DAVID GILMOUR

strat neck pickup make clean tube amp gain 2/3, vol 10, treble 7/8, mid 9/10, bass 5/6, reverb sixty/seventy%

fuzz 100% use fuzz pedal, big muff or rat phaser pedal 40% delay pedal 310ms

RAGE Confronting THE MACHINE - KILLING IN THE Name

bulldoze half dozen, treble eight, mid 0, bass vi, reverb 2, with distortion

Cerise HOT CHILI PEPPERS - UNDER THE BRIDGE

bulldoze 2, treble 6, mid vii, bass 7, reverb 0, with overdrive

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